The very first understanding of color was supported by Newton’s theory, which was based on mathematics and physics. In Newton’s view spectrum of colors appeared as the refracted rays of light. Being a scientist but not artist he did not consider subjective perception of color. This invention was made by Johann Wolfgang von Goethe in the beginning of the 19th century – hundred years later than Newton’s theory. It was a great chance for artists to improve their knowledge of color through the experimentation and learn how to control color. The idea of using strong contrast was Matisse’s inspiration for his painting “Night cafĂ©” where he is playing with contrast of green, red and yellow. Colors look differently and express not artist’s actual seeing of things but his understanding and perception. Painting “The red studio” is a great example of expression of after-image. It was also important for artists to find out how colors change depending on light. “The light which illuminates hues changes them considerably; blue appears green by candle light and yellow appears white; blue appears white by weak daylight, as the beginning of night.” (Gage, 1993 p.192).
References: Gage, J. (1993). Colours of the Mind in Colour and Culture: Practice and Meaning from Antiquity to Abstraction (pp.192). New York: Thames and Hudson.
References: Gage, J. (1993). Colours of the Mind in Colour and Culture: Practice and Meaning from Antiquity to Abstraction (pp.192). New York: Thames and Hudson.
